Walking Tour & Discussion

Please Join us for a Walking Tour of the Windows with the Artists!
Friday March 19th 4:30pm
Reception to Follow at The Banana Factory

Meet for the tour at one of these locations:
Arts Lehigh
University Bookstore
Banana Factory

The tour will start at 4:30pm at Tallarico’s Chocolates. See order of tour below. Artists will be present to discuss works on view. If you'd like to ask us questions, we would love to answer them!


Participating Members and Storefronts: Check with stores for hours to see works from inside.
Timothea Biermann – Tallarico’s Chocolates / 26 East 3rd St. / www.tallaricoschocolates.com
Meghan Sheldon-Brungard – Marla Duran / 109 East 3rd St. / www.marladuran.com
Merissa Sincavage Seminara – Clothesline Organics / 101 East 3rd St. / www.clotheslineorganics.com
Massie Jones – Clothesline Organics / 101 East 3rd St. / www.clotheslineorganics.com
Corey Breneisen – Home & Planet / 25 East 3rd St. / www.homeandplanet.com
Beatrice Wolert – Cleo’s Silversmith Studio and Gallery / 21 East 3rd St. / 610-868-7362
Marcie Farwell – Shuze / 17 East 3rd St. / 610-419-8655

A rose by any other name....

Gearing up for the holidays makes me ponder what life was like at different times in history. I often find my mind wandering to some of those classic stories that involve Christmas. I think of "A Christmas Carol" as many do, but oddly, my mind always wanders back to the holiday scene in "Little Women". There was a war going on, but despite a missing patriarch, life seems to have moved on like normal. It makes me reflect on how in many was, despite the fact that we are in what appears to be a never ending war in Iraq & Afghanistan, life here on the homefront seems to continue on, much as it ever has.
With that, I've written my description of the portrait series. Here it is for you all
-Meghan

Archetype: Women of War
A series of 5 Portraits-

1. Revolutionary War- Water Woman, 2010
cotton & synthetic fabric, poly fiber batting, thread
2. Civil War- Bandage Rollers, 2010
paper, cardboard & glue
3. World War I- Red Cross Nurse, 2010
cotton embroidery floss, canvas
4. World War II- Factory Worker, 2010
wool yarn
5. Current Iraq War- Soldier, 2010
rose petals on canvas

A series of 5 portraits showing working women of character during great wars in American history. A Woman's place in history has always been defined by what they were allowed to do; their skills were valued differently by the times in which they lived. Each portrait is created using a traditionally feminine craft technique: quilting, quilling, embroidery, knitting and pressed flowers. These skills and pastimes were appropriate for a girl of good upbringing, one who shows her obedience to family and country by doing what is proper. Her value to society was defined by how well she could behave in social situations, and how masterfully she could preform these feminine skills. By using these craft forms as the processes for creating the portraits of these women who stepped outside societal boundaries in times of crisis, women who wanted to give to their country and it's fighting men a helping hand, the artist hopes to highlight the fact that despite historical leanings, women have been contributing members of the war front since the beginning. This culminates in the final portrait of the female soldier in the current Iraqi war. This piece is made using pressed rose petals, which, depending on color have specific meanings and were a way for a man to show his feelings for a lady without speaking the words. Here, being paired with the strongest image of a woman's role in war, of being an equal to the men around her, here she is made from petals, she is truly as delicate as a flower, and as beautiful as a rose.

Woven

So, I have spent this quiet afternoon at my desk watching the sun move across the pale Brooklyn sky and contemplating my installation for the upcoming show. I'm reposting the description I wrote for our press release. There is still some editing and figuring, but I think I'm getting close...

Corey R. Breneisen
The Matriarch
"Woven"
Rubber bands

Using the Native American concept of Grandmother Spider as a jumping off point, Woven, explores the archetype of the matriarch. The keeper of family ceremonies, rituals and stories, the matriarch is both revered and reviled. Her piece addresses the concept of the loss of family connections, traditions and rituals when the matriarch passes. The use of rubber bands emphasizes the fragility of familial relationships as well as the lengths to which the matriarch is stretched in her role as head of family. In a performance to take place ______, the artist will be adding to the installation by weaving new sections of rubber bands. Through the repetitive action of weaving materials together, the artist invokes the establishment of family rituals and routines.

Strong Women of Wars

So I've had one of those epiphany moments that wakens you in the night and forces you to write it down. Well, except for the fact that it was an early evening nap, and not at night that I was awoken, but you get the picture.
I want to make 5 pieces for our next show. Each of them will be made using a "traditionally feminine" craft technique: pressed flowers, knitting, quilting, embroidery & quilling. I want these pieces to be portraits of womens' roles during wars and the way they've been "allowed" to change over time. I want to do: The Revolutionary War Water Pitcher Ladies, The Civil War Bandage Rollers, World War I Red Cross Nurses, World War II Factory Workers & The current Iraq War Soldiers.
My plan is to use each of the techniques to make one of the portraits, so right now I am at the point when I searching for good reference images for each of the portraits I'd like to do, as well as searching out the materials I will need and the style for each technique.
I'm really looking forward to our next meeting, in a few weeks, but especially due to the fact that we are planning on visiting the NYS Sheep and Wool Festival in Rhinebeck. I've been wanting to go for years, and couldn't think of a better group to go with. And right about now, it's all you guys you are so supportive, that is making all this job and house stuff easier, Thanks!
-Meghan

We've come to fish the herring fish that live in this beautiful sea

My studio mate made an interesting comment the other day about the piece I'm currently working on. She said that it reminded her of fishnet stockings. Hmmm...I said to myself...so very true. It looks very much like a fishing net rather than a spiderweb. My head filled with images of older women attempting to make themselves look younger by wearing younger style clothing often out dated, too tight or otherwise unflattering. I also started to think about the old addage, "There are always more (better, richer, wiser, younger) fish in the sea." My mind is reeling with ideas for how this piece can fit into our upcoming show. I've done my best to take a few pictures but it is a difficult piece to try to document and capture with my little camera. The shadow cast will be just as important an element as the physical materials. I'm hoping to exploit the stretchy nature of the rubber bands and display it in some very dynamic ways. It is all very exciting. I'm hoping the Collective can come for a studio visit to get the full impact of the piece. Until soon...